My next planned book (not counting an omnibus with bonus material) is a collection of short stories set “contemporary” to the Unexpected Heroes series. The earliest one is 60 years before the first book, and the latest one is a couple of years after the last book. (The NEXT planned book will be “legends” from much earlier in “history.” Think “fairy tales not placed on Earth.”) You can read a few of these contemporary stories already, in Unexpected Tales.
In a way, short stories are easier to write, because the plotting is much simpler. On the other hand, description and character have to be squished into a smaller space, and there’s no time to meander.
Anyway, all of the stories have ended up being connected to the series rather than merely set in the same world, though some are tightly connected and some are merely side stories of characters or expansions of casual mentions. Three of my four main characters have parents-meeting stories (the fourth was an arranged marriage). I’ve got survival treks and new jobs and races and pirates and weddings… It’s an interesting mix. A few of the stories have sequels in the collection (or in the series).
Some of the stories were easy to choose, for one reason or another. The last handful were harder, because I was looking for holes to fill. (Like needing a story from a female Nokai POV that took place between books 2 & 3. Yes, really.) In fact, I just figured out the last tagline in January, because it ended up being the prequel to another story I decided on the week before. And by “figured out,” I mean very generally. I actually finished writing that story before I finished one of the earliest planned stories, which gave me fits. It was supposed to be a short, one-chapter story but expanded to four chapters and almost 10,000 words. Some of the older stories in the collection had to to be rewritten to have complete arcs instead of just being bonus scenes.
I discovered a few entirely new characters for this collection, and they still ended up tying into the series. I can never read chapter 2 of Wind of Choice the same way again because the new backstory explains so much. I cried writing the last scene, literally. My mom cried when she read the sequel, then she backed up to read and cry again. Um, okay.
For my short stories, I use an abbreviated version of my usual outlining process, and sometimes I wing it (now that I’ve written almost half a million words). Except for that ornery romance… I had to research romance beats, alas. I still always start with a character and a situation and an ending and/or premise, and then I connect the dots from there. Sometimes I use more than one POV, sometimes only one. I’ve balanced stories from each country as well as male and female POVs. I tried to sprinkle the stories between the novels, but they still ended up heavily pre- and post-series with only a few between the books. Most of the stories have happy endings, because I like that, but a few ended up being sad or dark. I can’t help it! Some stories are sad!
One of the stories that’s already in Unexpected Tales has gotten so many questions about what happens next that I’m pondering turning into a complete novel. I’ll let you know…
Mmm… what else do you want to know? Toss me a comment, and I’ll either comment back (for a short answer) or write a post (if it needs a long answer).
Another time, I’ll try to remember to tell you about the “legends,” which I frequently describe as “loosely based on Earth fairy tales, as they would be if they came from Kaiatan.” For instance, Japan has a story about a stonecutter who kept wishing to be more powerful. What would that story look like if the main character was a shapeshifter??
Marty C. Lee
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