As I made changes in my book, my critiquers and beta readers started to give better and better reviews. Not perfect, sure, but better. Even the people who started off telling me that I can’t do four POVs (points-of-view) came back at the end and said, “But I loved all your characters so much!”
I was feeling pretty good until people finished the book and complained about the ending being much too slow. At first, I thought it was just an isolated opinion until almost everybody started saying it. (And those that didn’t, also did not say they liked the ending.)
I asked for suggestions for fixing it, based on where they saw the problem. Almost all of them advised chopping off the last three chapters “because the story is obviously over by then (see climax HERE), and your wrap-up is taking too long.”
Well, that was not going to work. Contrary to popular opinion, the “climax” was only the crisis, the real climax wasn’t until the next-to-last chapter, and the story wasn’t over until the last chapter. Obviously, something was indeed wrong, but it wasn’t where the story ended. If I hacked off the last three chapters, the theme would be ruined, the main story question would remain unanswered, and the promise would be unfulfilled. Nope, can’t do that.
Back to story structure research.
Ah, there’s something. Sometimes an ending will fall flat because it hasn’t been supported and set up properly in the middle. Okay, let’s hypothesize that I identified the problem. Time to revise again. (I bet you predicted that.)
So I rewrote half the book in “minor” but very important ways, and tweaked the ending while I was at it. Then I ran it past betas again. Nope, still broken.
I rewrote it several more times. Still broken.
It’s possible I considered screaming.
Around this time, I was going to a writing conference and was notified that there were editorial consulting slots available. That seemed like a great idea, so I signed up. I spent that day of the conference reminding myself to calm down because the consultation was a job interview and *I* was hiring. Talking to an editor shouldn’t be so nerve-racking, but if you ever find yourself in the same position, feeling the same way, remember that you’re not the only one.
I brought a simplified synopsis (minus subplots that didn’t affect the problematic ending) and a writing sample with me, and sat down to talk about my ending. The non-scary editor flipped through my papers and then talked to me. My hopes sank pretty quickly as I discovered that her suggestions were also unworkable. Some of them revealed that she didn’t even understand the story. Okay, yes, I know she hadn’t read the whole thing, but I did give her the synopsis, including a lot of detail on the ending.
She suggested I hire the editing company to actually read the book and make detailed edits. I looked up her prices, and let’s just say, that wasn’t an option. Besides, I wasn’t impressed with her off-the-cuff answers and wasn’t convinced her in-depth answers would be any better. Perhaps that’s unfair, but we all make decisions based on what information we have.
So I went home, torn between screaming and crying. I might have considered giving up, since obviously, I was no good at this writing thing.
And that seems like a nice, dramatic place to stop for now. 😉
Don’t worry; it gets better.
M. C. Lee
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