Tag Archives: life of writer

My Job as a Manipulator

No, I’m not serious. Not really.

But there’s an internet game where you describe your job in a way that makes it sound bad. So a police officer might say she locks people in small rooms or scares small children with a weapon, or a teacher might say he ruins teens chances of a better life by writing bad recommendations (i.e. bad grades). Yes, I know that isn’t really the way it is– but if you look at it sideways, it can be. That’s the point of the game.

If I were playing the game, I could tell you that I brainwash people. Sure I do. I manipulate them into believing what I want them to believe. I put my own words in their heads. I make them picture what I want them to see. I make them remember something other than their own memories.

What? you say. Isn’t that illegal or something?

Well, it would be if I were doing it in real life, but I’m an author, remember? I’m only doing it to you within the covers of a book.

If I do my job right, then when you read my books, you’ll be immersed in my world. You’ll picture the scenes I want you to see. You’ll hear my characters’ words in your heads. You’ll remember my story instead of just your own life. Your real life will disappear while you live the imaginary life I created for you…

I just highjacked your brain.

*cue evil cackle*

And it’s all legal. In fact, if I’m very good at what I’ll do, you’ll beg me to do it to you again. πŸ˜‰ And again, and again, and again…

Ah, now you’re getting interested. And just how do I do this, exactly, you ask?

Well, that is too complicated to discuss in just one post, but I’ll give you a few hints.

First, it’s a careful balance. If I tell you too little about a scene or a character or a world for you to picture it/them, it won’t draw you under my spell. But if I tell you too much, then you’ll get bored and remember your real life. I can’t have that, now can I? So I have to figure out just the right amount of information to spark the picture in your head without jolting you back into reality. That’s right, my world is more fun than your world. Stay a while and play…

Second, it’s about choices. What words will evoke the right emotions without being distracting? Will a precise but unusual word bring the picture to life or overshadow it? How would the character say it? How would the character NOT say it? The more natural the writing feels, the less likely you are to notice the way I’ve made you think what I want you to think.

Third, it’s about emotion. If I can make you feel for the character— or from the character— then I can really brainwash you. I might even make you temporarily forget who you are. If you feel my character’s emotions, like you are my character, then I’ve really won. You don’t even exist anymore, because you’ve become my creation.

*cue more evil cackling*

And that’s why I can describe my job as being a brainwashing, manipulative telepath. I put my thoughts directly in your head (okay, almost directly) and take over your brain. Until you put down the book.

Here, have another book. You know you want to…

Happy brainwashing reading,
Marty C. Lee

My Editing Routine

In case some of you might be interested in how editing works for an author, here’s what I do. πŸ™‚

First I write the book. That tends to take months, if not a couple of years. I’ve gotten faster, hallelujah, but I’m still no book-a-month author.

Then I do a self-edit, rereading it and fixing what problems I notice. With earlier books, I did this several times before the next step, but nowadays I can usually get away with one pass.

Next, I run it through my critique group, one chapter at a time. (If my schedule is tight, I might run chapters through as I write them instead of waiting for the end of the book.)

Then I self-edit again. If the chapter (or book) is giving me problems, I might repeat the self-edit and critique steps more than once.

This edit/critique cycle took four years with my first book. Yep, four years. It was torture. Even now that I’ve gotten better, it takes months because I can only submit a chapter or two at a time.

When I think I have the problems worked out, I find beta readers. Based on their feedback, I always, always find more problems to fix. Sigh. No, I am very thankful for beta readers who aren’t afraid to tell me I could improve XYZ; I just wish I’d make fewer mistakes. But I’d rather hear about problems while I have the chance to fix them, instead of in reviews of the published book. Some of my best beta readers are other authors, but some are just readers. I have a very nice fan who’s happy to tell me where the story is broken.

So, then it’s back to self-editing, then back to beta readers. I repeat this cycle until the only problems being reported aren’t ones I consider problems, or until I admit I don’t know how to fix it and have to send the book to a developmental editor. In earlier books, this took many, many cycles. I’ve gotten better since then, and found better critique partners, so the process is shorter.

Once the book is theoretically as good as it can get, I finish with a painstaking copyedit for grammar, problem words, typos, and other nit-picky stuff. Why don’t I do that before the beta readers? Because it’s wasted effort until I know I’m not going to be changing whole sentences, paragraphs, or plot points. Please note that my natural grammar is good enough that beta readers won’t suffer even if I made a few minor mistakes. (If your grammar isn’t that good, please edit it before you ask for betas. It’s painful to struggle through a big mess of grammar, spelling, punctuation, and other technical errors. No, readers can’t just ignore the errors and concentrate on the story if the weeds are bigger than the flowers.)

After that, I submit the final copy for formatting and publishing. Yay!

If beta reading sounds like fun to you, let me know! I’m always looking for good beta readers. πŸ™‚

Happy writing,
Marty C Lee

Character Personalities

“So, how do you write your characters?” people ask me.

“Do you fill out a questionnaire? Do you figure out their personality type first?”

No to both. I just write them. But AFTER I know them well, I’ve been known to run them through a personality test. *clears throat* Or six.

I started off with Meyers-Briggs and Color Code

I was already familiar with those two personality systems. (MBTI in college and CC from reading).

In Color Code, each of my four main characters in my secondary world fantasy series ended up a different personality color (of four). Hmm. I always thought they were very different, and I guess they are. But one test is hardly conclusive, right? So I ran them through the MBTI. Each of them ended up not only a different type (of 16), which was not surprising, but in an entirely different section (of four). More hmm. Considering I wasn’t TRYING for that much diversity, it’s pretty impressive.

Then I found a Hogwarts test online.

My stories aren’t even set on Earth, so the characters certainly wouldn’t go to school there, but okay, I’m curious. Guess what? Yeah, that’s right — each of them ended up in a different House. And, by the way, Slytherin isn’t automatically bad. They just feel that “their” people are more important than “all” people. Obviously, that can get out of hand, but go ahead, tell me you’ve never once given preference to someone you love just because you love them… (No, I’m not Slytherin, but I can imagine how they feel.)

Then I read about the Four Tendencies and the enneagram

Of course, I HAD to run them through those, didn’t I? (The answer is yes. Don’t be silly.) Both of these were trickier. In the Four Tendencies, I’m pretty sure the four characters ended up in four different areas all over again. And oddly, this was the only test where I was like one particular character, whom I usually write by saying, “What would I NOT do.”

The enneagram took even longer, but I finally figured it out. I’m sure you can predict that they all ended up different. Some of them overlapped a smidge, some didn’t even touch.

Recently, I found the DISC system.

And all four characters still scored in different areas. By now, I was very amused but not at all surprised. A little more surprisingly, all four fit fairly solidly in one of the four main groups, rather than overlapping (which is allowed). When I took the test for myself, I overlapped…

I have not yet figured out their CliftonStrengths.

I’ve been very busy and frankly, it’s intimidating. But I’m willing to bet they’ll end up different. πŸ˜‰ Of course, with CS, that’s less surprising, since there are 34 strengths and millions of combination/orders of having them in your top 5 or 10. (I did take CS for myself, and wow, that was an eye-opener. Some of my top strengths are so ingrained that I couldn’t imagine people NOT using them, but now I see it just is not so… But seriously, people, how do you not think all the time??)

By now, I have reams of notes.

I rarely use them in plotting or character development, unless I’m stuck on something, but I read them for my own enjoyment. Because that’s the nerdy kind of person I am…

Surprisingly, I found things as I studied that fit my characters perfectly even though I hadn’t known them as belonging to a certain personality before I wrote the books. For instance, one character is pretty intense— except when he isn’t. He can quite suddenly flip into humor or pranks (oh, his pranks!). I’ve had readers call me on that as not fitting his personality, but according to the MBTI, it’s a real thing for his type. LOL. I’d really like to claim I’m a genius and planned it all, but really, he just told me that’s what he does, so I wrote it down.

People also ask me if my characters are like me.

Well, they can’t possibly ALL be like me, since there are four of them (not counting minor characters or all the short stories) and only one of me.

But really, the answer is still no. Some of them are a little like me in this way or that, but none of them are really like me. Of course one of them shares a Color with me, since there are only four, and a Hogwarts House and a Tendency for the same reason, but our MBTIs are different, and our enneagrams are different, and because DISC allows for partial overlaps, we’re still different. And whenever I break down and figure out four sets of Strengths, there will probably be some overlap, but also some significant differences.

“So will I like your characters? Is one of them like me?”

I hope you’ll like all of them, whether or not they’re like you! But with four very different characters, chance are pretty good that you will feel a kinship in something with someone. And if you don’t feel kinship, I hope you will at least find friendship.

Happy reading,
Marty C. Lee

Writing Update: Tales of Kaiatan

My next planned book (not counting an omnibus with bonus material) is a collection of short stories set “contemporary” to the Unexpected Heroes series. The earliest one is 60 years before the first book, and the latest one is a couple of years after the last book. (The NEXT planned book will be “legends” from much earlier in “history.” Think “fairy tales not placed on Earth.”) You can read a few of these contemporary stories already, in Unexpected Tales.

In a way, short stories are easier to write, because the plotting is much simpler. On the other hand, description and character have to be squished into a smaller space, and there’s no time to meander.

Anyway, all of the stories have ended up being connected to the series rather than merely set in the same world, though some are tightly connected and some are merely side stories of characters or expansions of casual mentions. Three of my four main characters have parents-meeting stories (the fourth was an arranged marriage). I’ve got survival treks and new jobs and races and pirates and weddings… It’s an interesting mix. A few of the stories have sequels in the collection (or in the series).

Some of the stories were easy to choose, for one reason or another. The last handful were harder, because I was looking for holes to fill. (Like needing a story from a female Nokai POV that took place between books 2 & 3. Yes, really.) In fact, I just figured out the last tagline in January, because it ended up being the prequel to another story I decided on the week before. And by “figured out,” I mean very generally. I actually finished writing that story before I finished one of the earliest planned stories, which gave me fits. It was supposed to be a short, one-chapter story but expanded to four chapters and almost 10,000 words. Some of the older stories in the collection had to to be rewritten to have complete arcs instead of just being bonus scenes.

I discovered a few entirely new characters for this collection, and they still ended up tying into the series. I can never read chapter 2 of Wind of Choice the same way again because the new backstory explains so much. I cried writing the last scene, literally. My mom cried when she read the sequel, then she backed up to read and cry again. Um, okay.

For my short stories, I use an abbreviated version of my usual outlining process, and sometimes I wing it (now that I’ve written almost half a million words). Except for that ornery romance… I had to research romance beats, alas. I still always start with a character and a situation and an ending and/or premise, and then I connect the dots from there. Sometimes I use more than one POV, sometimes only one. I’ve balanced stories from each country as well as male and female POVs. I tried to sprinkle the stories between the novels, but they still ended up heavily pre- and post-series with only a few between the books. Most of the stories have happy endings, because I like that, but a few ended up being sad or dark. I can’t help it! Some stories are sad!

One of the stories that’s already in Unexpected Tales has gotten so many questions about what happens next that I’m pondering turning into a complete novel. I’ll let you know…

Mmm… what else do you want to know? Toss me a comment, and I’ll either comment back (for a short answer) or write a post (if it needs a long answer).

Another time, I’ll try to remember to tell you about the “legends,” which I frequently describe as “loosely based on Earth fairy tales, as they would be if they came from Kaiatan.” For instance, Japan has a story about a stonecutter who kept wishing to be more powerful. What would that story look like if the main character was a shapeshifter??

Happy reading,
Marty C. Lee

Writing Process, Book 4

Sigh. Yet again, I’ve gone too long without giving you an update on my writing. That’s probably a good thing for me (indicating fewer frustrations), but maybe not as good for you (assuming your interested in the topic).

So, book 4 has actually come out already. *cough* Writing it was easier than the first three in some ways and harder in others. Each of my books has had different problems.

How was it easier, you ask? My plotting system is working better now that I’ve had some practice and fine-tuned my process, so I didn’t struggle as much with the beats. I write a little faster than I used to. I’m very familiar with the characters by now. πŸ˜‰ I got to wrap up all the little strings I left in the other books.

How was it harder? I had to wrap up all the little strings I left in the other books. Several characters wrote themselves into the story with quite a bit of determination, and they insisted on being important instead of walk-on characters. I wrote myself a pretty little dilemma (how does an entire world lose the key to a city, and how would one person find it?) and had to figure out how to solve it.

I have become much more of a plotter than I used to be, but I still make up a lot of things as I go. In this book, that involved both character and plot elements. For instance, I found out (and yes, it really feels more like “found out” than “made up”) that Ahjin has a cousin I didn’t know about. She used to be a priest and left when Ahjin told Irajahan he couldn’t force recruits anymore. Now she’s a diplomat from Ioj to Iskra. I thought that was the extent of her involvement, but no, she wiggled her way into the climax of the story, too.

Then there’s Tarakh. He’s a nice boy who likes Zefra. (Zefra isn’t sure how she feels about that, especially when he says outrageous things to her…) I thought he was going to be a minor character for a few chapters, but no, he really wanted to be part of the adventure. Also, if you’ve read any of my books, you’ve seen my cute chapter headings with cultural info or book excerpts or “world” proverbs. It takes me a long time sometimes to choose those sayings, even when I’m borrowing proverbs. (“Which one fits this chapter?”) Then Tarakh comes along, and he’s spouting proverbs like crazy, and I don’t even have to make them up, because he’s supplying them. (I promise I’m not insane. Writer-brain is just weird sometimes.)

Let’s not forget the lost city. I hadn’t planned on it being lost or a maze, honestly, but I hit a spot in my beat planning where I needed something, and I had nothing. As I mentioned in an earlier post, I outlined 2/3 of book 4 and then discovered some major problems and had to start over. It was pondering what kind of song I’d write for this book that gave me the clue out of my mess. πŸ˜‰ After I had the first missing part figured out, I reread the prior books for inspiration, and lo and behold, I’d accidentally left a trail of clues for myself without realizing it.

Book 1 had the newly rediscovered starting point for finding the lost city and a casual mention of Zefra’s grandparents’ occupation which I threw in just because it was convenient but now it was important. Book 2 mentioned the collection of “legend” maps AND the fact that some of them came with songs. Book 3 and a short story that hasn’t been published yet had some villain characters I needed, as well as the beginnings (continuation) of the conspiracy. Nia’s language talents became important again, and this time, her singing was important to the plot instead of just everyone’s mood. I managed to tie in the romance from book 3 in an important way, and Ludik’s children became plot-essential. Ahjin’s political shenanigans in book 1 made a difference to book 4. Everything started tying together in ways I hadn’t anticipated. Yeah, the first three books can be read as standalones if you really want (though *I* think they’re better in order), but book 4 is much more dependent on the others.

One of my biggest headaches came when I needed to write the “key” to the maze. I already had the design for the maze, but I needed two pathways through it (“right” and “wrong”) and a poem that would lead BOTH ways depending which way it was interpreted. If you aren’t groaning already, then I haven’t adequately explained how awful this was… To make it worse, I had to wrote music for the poem that would have clues in it, which meant I had to write the music THEN instead of waiting until I finished everything else, as usual. And even though I’ve written four songs for the books, music and all, I am not actually a musician. As if that weren’t enough, then I had to figure out how Zefra unraveled the mystery in the story, and she’s no musician, either!

Whew! Writing the book ended up being almost as tangled as the conspiracy IN the book, but at least I got to write some really cool scenes, like shapeshifting spies and a midnight duel and a race through the desert. And Tarakh flirting with Zefra. πŸ˜‰

Happy reading,
Marty C. Lee

2021 Foresight

2020 hindsight is supposed to be perfect (but usually isn’t). I’m sure my plans for 2021 won’t be perfect, either, but I’ll give it a shot. I want to change my methods a bit next year, and I know some of it, but thought I’d also give you a chance to vote on what you see in the coming year.

First, I’ll be shifting my blog to every three weeks instead of every two, so that I can spend more time writing. I still plan to alternate book posts and writing posts.

Second, unless you have another category for which you want a list of recommended books, I think I’ve run out of ideas for lists. I thought maybe I’d go back through my lists and start writing more detailed reviews for some of them. Please feel free to leave a comment requesting a new list that would help you, or your opinion on leaving reviews and which category you’d like me to start with.

Third, I wondered what topics would be most helpful to you in the “writing” posts. Are you interested in personality stuff? I could tell you about the personality tests I took for my main characters. Do you like the “how to be an author” posts? Do you like posts about outlining? Plot? Characters? Something else? Do you like hearing about my progress in the books I write? Would you like to hear more? Less? About the same but some kind of different? Do you want to hear about writing groups or critique partners? Do you want to hear my lecture on why an editor is not a replacement for learning grammar and punctuation? πŸ˜‰ Do you have questions you’d like me to try to answer? Go ahead and put all your ideas in the comments, and I’ll see how many I can tackle during the next year (or two, if you give me lots of ideas!).

Fourth, did I miss something you’d like to vote for? Consider this a blank essay space where you may right anything (legal, moral, and polite) that you’d like. Go ahead, give me a comment about anything… πŸ™‚

I promise to read all the comments. πŸ™‚

Merry Christmas, Happy New Year, and I’ll see you in January,
M. C. Lee

Creativity

I had an interesting conversation with someone recently. I was answering a survey about a writing tool I use, and it was much less technical than I expected. One of the last questions wasn’t about the tool at all, but about what my writing means to me. To my surprise, and probably to the surveyor’s, too, I found myself talking about God.

(Spoiler warning: If you don’t want to hear about God, you should change to another page now.)

This is more or less what I told him.

I believe we are children of our Heavenly Father. As his children, we share some of his attributes and powers (in a lesser portion, of course). One of these is the power of creativity. Yes, I believe that the ability to create comes from God, even though it can be misused for ungodly purposes.

Since it is a gift from God, I believe I should use my creativity and practice my talents. Doing so honors Him and helps me become a little more like Him.

Now, creative talents come in all sorts of varieties. We hear a lot about music and sports, art and writing, and other “performance” talents, but I don’t think those are the only ones that exist. Some people create friendships easily. Some people create a tidy, happy home. Some people create fresh bread or delicious meals that are always on time. Some people create happy children. Some people create beautiful gardens. Some people create sewing masterpieces or amazing crafts. This is not an all-inclusive list. If I didn’t name something you can create, then go ahead and add your personal talents to this list. πŸ™‚

I do a few of those, though not necessarily the ones I most want. But for the survey, I was talking about my writing. I do believe that I write because of a gift from God. (No, I’m not saying my writing is a gift from God; I’m saying my ability to write is a gift from Him. What I do with it after that is up to me.) Of course I have to work to improve my talents, especially since I’m not one of those amazing writers who seems to know everything already. But it doesn’t matter how much talent I start with it, or end with, only how much I improve and use it.

So when I write, I hope my stories find readers who like them. I look forward to the day they touch someone who needs it. But even if that never happens, I believe I’m honoring my Heavenly Father by using a gift from Him, and I will continue practicing to be more like Him.

This Christmas season, I hope you reflect on all the gifts your loving Father has given you, both the tangible and intangible. And then I hope you look for a way to share your gifts with those who need help or hope or a loving hand.

Merry Christmas,
M. C. Lee

Conflict and Earned Endings

You’re going to look at the title and the first few paragraphs and be confused, but stay with me. It will all make sense… in the end. πŸ˜‰

Authors frequently say “write what you know,” but it doesn’t always mean what you think it does. You don’t have to be a spy to write a spy thriller, and you don’t have to know how to ride a horse to write about them (although you should ask an expert if you got everything right enough to not look stupid). What you should “know” is emotions and conflict and human behavior and all that good stuff. Fortunately, life usually gives you lots of material, as long as you pay attention.

Can’t you make it all up?

You can try, but your readers will probably notice. However, you can cheat a little. You don’t need to lose a boyfriend to write about losing a boyfriend. If you lose a friend, you ought to understand the loss of a relationship well enough to make your readers believe the emotions. You don’t have to understand wanting a bike more than anything in the world, you just have to understand wanting SOMETHING that badly.

What about the conflict in your story? Do you have to have an archenemy to write about one?

Nope. Remember, you’re allowed to cheat. What about that neighbor that always puts up fancier Christmas decorations, or the student across the aisle who got ONE measly point better than you on the final? Or what about the serial killer you read about, even though you never met him? (Whew!) You know, the one who reminded you of that weird relative who is certainly not a serial killer but has a really peculiar collection of something?

Even better, think about the conflict in your own life and find a way to apply it to your story. You can tweak it. You can bend it completely out of shape! But keep the emotion so your readers will feel it when they read.

Trust me, life will provide you with plenty of opportunities to collect conflict.

Can’t you have a story (or a life) without conflict?

Let me sit down for a minute. When I can stop laughing enough to catch my breath, we can talk about this.

No. Neither stories nor life are worth much without conflict. Think about it. If you’re reading a book and everything falls in the hero/heroine’s lap without any effort or opposition, is it an interesting story? Even more important, when you get to the end of the book and the happily-ever-after, do you think the character has earned it? Do you put it down and say, “that was great,” or do you slam the book shut because “nothing happened!” Why should the girl win the prince without even a bad date in the process? Why should the guy get his dream job without struggling through a degree (and the interview)?

In order for the happy ending to be believable and satisfying, it needs to come after a struggle to achieve. And the character at the end of the book is stronger and bigger and better because he/she has overcome challenges and grown to conquer.

And since we’re writing what we know, and because we want to earn our own satisfying happy ending, we need to remember that our lives will also be full of struggles. (Don’t go looking for trouble; trouble will find you just fine.) While frustrating, that’s not entirely a bad thing. (But take note of the sad feelings so you can write them later. If you aren’t a writer, take note anyway, so you’ll be ready to comfort your friend when he/she feels sad.)

So I have a challenge for you. This Thanksgiving, while you’re giving thanks for your blessings, take a moment to give thanks for the challenges that have—and will—shape you into a better person. It will all be worth it. In the end.

Happy writing, and good luck with your struggles,
Marty C. Lee

What is NaNoWriMo?!?

Every year, tens of thousands of people participate in something called NaNoWriMo. (There’s a whole debate about pronunciation, Wree vs Wry. I’m on the side of Wry.) It stands for National Novel Writing Month, and the idea is to write a book of at least 50,000 words, all in the month of November. That’s right, an entire book.

It’s not as bad as it sounds. You need an average of 1667 words each day. Let’s pretend you type 30 wpm (which isn’t very fast, but that’s okay). Let’s assume you can compose sentences as quickly as you can type (which is actually more of an assumption). 1667 words divided by 30 wpm=56 minutes. That’s less than an hour a day.

So in an hour a day for a month, you can write an entire novel. Wow, that’s pretty impressive!

You can track your progress for free on the official siteΒ (and indeed, you must to qualify for the prizes), and it’s rather fun to see your progress creep up the graph. You can add writing buddies and projects and more! At the end of the month, if you met the goal, you get a winner’s certificate and a bunch of prizes (mostly discounts on various writing programs).

Wait, you say. There must be a catch.

Well, yes and no. It really is free. The prizes are real. It sounds pretty easy.

Oh, wait. That’s the catch. It’s not always easy…

Remember me saying that composing as fast as you type might be an assumption? Some people have no problem coming up with words, spewing them out as fast as their fingers can move. Some people, and we don’t have to name names, struggle with the perfect sentence or even the perfect next word. Or they get a scene done and then don’t know what comes next.

Folks, this is normal. Repeat after me. It’s normal. You’re normal. Really, it’s fine.

It took me two years (or was it three?) before I passed NaNoWriMo. I got close, but 40K doesn’t count, alas. Now I’m faster, but I still struggle. I’m normal, too. πŸ˜› I try to hard for the perfect sentences and need to practice just letting it spill out. Edit it later, I tell myself, but sometimes myself doesn’t listen…

So, if you’d like a challenge this November, or if you’ve always wanted to write a book but didn’t get around to it, here’s the perfect excuse. Come join us in NaNoWriMo!

Happy writing,
M. C. Lee

A Day in the Life of a Writer

Disclaimer: I can’t speak for ALL writers, so this is really just a day in MY life as a writer.

I don’t write or do business on Sunday, and Saturday tends to be erratic, so this is for weekdays.

I wake up early enough to make me wish I was still asleep, but not really that early. (Sometimes it’s before the sun in winter, but the sun beats me in summer.) I shower, dress, eat breakfast, and read my scriptures. Ideally, by 8 am, I’ll be at my desk.

For those of you who are interested in office spaces, I use the family computer and my desk is currently in the living room, though I hope to get an office one of these years. When I get my own office, I’ll add white boards and bulletin boards and a filing cabinet and a bookcase and a cheap timer and a door to keep people out… Right now, I get a water bottle, a pair of headphones, and an assortment of pens and pencils.

I try to write new stuff until noon, though sometimes “write” means “outline” or “brainstorm” or “research” or “pick names” or “world build” or any of the other author-y tasks that sometimes have to come before actual writing. I also resort to side tasks when writer’s block is being stubborn. I’m not particularly fast, but I try to get 2000 words in that time. My goal is to one day get 1000 words an hour and be able to purposefully leave time for outlining/brainstorming.

I’m sure you’ve heard of writers who can write 10,000 words/day (good for them!), but I used to get about 5000 per MONTH, tops, so I’m still faster than I used to be. (By the way, don’t compare yourself to others. Nothing good comes of it.)

On my critique-group day, my group takes the place of my morning writing. I also have a Friday obligation that cuts my writing time in half.

After lunch, I take a break and do more-brainless activities, like house cleaning, reading, errands, or social media. Sometimes I give up and take a nap.

Around 1:30 or 2 pm, I get back to work. After a quick spin through my email, I spend some time editing my own work and/or beta reading/critiquing other people’s stuff. I also use this time to go over my own beta feedback. I love my beta readers. πŸ™‚ I love finding out what’s working in my stories and what needs to be fixed. (If you’d like to be a beta reader, let me know…)

Most of the time, beta reading for others is also fun, since I tend not to accept beta reads that bore me to death. Reading other writers’ works-in-progress is actually a good way to learn more about your own writing, by the way.

In a couple of hours, I switch to business things like marketing, budgeting, or formatting. This is not the funnest part of my day, but it needs to be done. Always keep track of the business stuff, guys, or you’ll be sorry later.

If the weather is nice, I take a break to walk and meet my sweetie on the way home from work. In winter, I just keep working until supper.

I try to reserve the evening for my family, but occasionally I either NEED to catch up on something or WANT to avoid what they are doing (zombie movies, for instance…) In that case, I’ll work on whatever is farthest behind my goals or has the closest deadline.

After I turn off my computer, I spend some time reading and relaxing before bed. If I’m smart, I don’t let myself get so carried away with the reading that I don’t get to bed at a decent time. *clears throat*

It’s pretty boring, actually. A lot more goes on INSIDE my head than outside. My family assures me that I am not at all interesting to watch when I’m writing. πŸ™‚Β That’s okay. I’m happy if my books are interesting, instead.

Happy writing,
Marty C. Lee